About Istanbul – Basileus Hotel

Archaeology Museums

The Directorate of Istanbul Archaeology Museums that is dependent on the General Directorate of Monuments and Museums of the Ministry of Culture of the Republic of Turkey is on the Osman Hamdi Bey Ascent that opens to the Topkapı Palace Museum from the right of the Gülhane Park Entry which is in the Sultanahmet district.

Istanbul Archaeology Museums consist of three museums. Those are Archaeology Museum, Old Eastern Works Museum and Enameled Kiosk Museum.
Istanbul Archaeology Museums, which were established as Müze-i Humayun (Empire Museum) by the famous artist and museum director Osman Hamdi Bey at the end of the 19th century, were opened to public on June 13, 1891. Besides its importance as the “first Turkish museum”, it has an importance and specialty of being one of the museum buildings that are constructed as a Museum in the World. Today, it still protects its outstanding place in the World’s biggest museums with its works more than a million belonging to various cultures.

In the museum collections, there are rich and very important works of art belonging to various civilizations from the regions from Balkans to Africa, from Anatolia and Mesopotamia to Arab Peninsula and Afghanistan that were in the borders of the Ottoman Empire.

ARCHAEOLOGY MUSEUM

The Archaeology Museum consists of two separate buildings.

I) MAIN BUILDING (OLD BUILDING)

Its construction was started in 1881 by Osman Hamdi Bey and with the additions in 1902 and 1908 it gained its latest form. Its architect is Alexander Vallaury. The outer face of the building was made by inspiring from the ?skender Tomb and Crying Women tombs. It is a beautiful example of neoclassical buildings in Istanbul.
On the upper floor of the two storey building there are small stone works, pots and pans, small terracotta statues, the Treasure Department and approximately 800.000 Ottoman coins, seals, decorations, medals and Non-Muslim and Muslim Coin Cabinets, in which coin moulds were kept, and a Library with approximately 70.000 books.

On the bottom floor saloons of the building, famous tombs are displayed such as ?skender Tomb, Crying Women Tomb, Satrap Tomb, Lykia Tomb, Tabnit Tomb that are in the Sayda king graveyard.

On the bottom floor, besides the display of tombs, there is Old Age Statuary display in which statues and reliefs from important antic cities and regions are displayed. In this display, the development of the art of statuary from the Archaic Period to the Byzantium Period is displayed in chronological order with outstanding examples.

II) ADDITIONAL BUILDING (NEW BUILDING)

The additional building attached to the southeast of the main building is of 6 storeys. There are depots in the two storeys under the ground floor.
The four storeys of the building are arranged as exhibition saloons. There is an inscription “Istanbul for Ages” on the first floor of the building, “Anatolia and Troia for Ages” on the second floor and “Surrounding Cultures of Anatolia: Cyprus, Syria-Palestine” on the top floor. There is Infant Museum and architectural works display on the first floor of the additional building. The Thrakia-Bithynia and Byzantium display saloon, which was opened in August 1998, can be visited on the floor with the name of “Surrounding Cultures of Istanbul”.

The museum has received the European Council Museum Award in 1991, which is its 100. Establishment Anniversary, with the new arrangement made in the lower floor saloons and the Additional Building display.

OLD EASTERN WORKS MUSEUM
The building, which was built by Osman Hamdi Bey in 1883 as Sanayi-i Nefise (Fine Arts School), was organized as a museum with the works made between 1917-1919 and 1932-1935. The building, which was closed for visits in 1963, was reopened again in 1974 with a new display by changing the inner parts.
On the upper floor of the two-storey building, Anatolian, Mesopotamian, Egyptian and Arabic works of art are displayed. Statue of Naramsin, the king of Akad, the Kade? Agreement and Zincirli statue are the unique works of art in the museum.

Moreover, in this museum there is a “Tablet Archive” in which 75.000 documents with cuneiform writings are kept.

ENAMELED KIOSK MUSEUM

The kiosk that has been made by Fatih Sultan Mehmet in 1472 is one of the oldest examples of Ottoman civil architecture in Istanbul. It has been used as Müze-i Hümayun (Empire Museum) in between 1875-1891. It was opened to public in 1953 with the name of Fatih Museum where Turkish and Islamic works of art were displayed and it was transferred to Istanbul Archaeology Museums due to its site.

The entrance façade of the kiosk is single-flat and the back façade is of two-storeyed. There is a marble porch of 14 columns in the entrance. The entrance exedra is decorated with mosaic enamels. Various chinaware and ceramics from the Seljuk and Ottoman period are displayed in the Kiosk that consists of 6 rooms and a middle saloon. There are approximately 2000 works of art in the museum and its depots.

Basilica Cistern

The largest and most magnificent covered cistern in the city is entered through a small building to the west of the Hagia Sophia Square. The ceiling of this forest of columns is made of brick and is cross-vaulted. The name of the cistern comes from a basilica that was once located nearby.

It was built during the reign of Justinian I (527-565) to supply water to the palaces in the vicinity. Its 336 columns are arranged in 12 rows of 28 each. The cistern measures 140 by 70 meters. The columns are topped with capitals, some of them plain, but most in Corinthian style. The water level in the cistern changed from season to season. The water was distributed through the pipes at different levels in the eastern wall.

The ground was cleared during the major restoration in 1987, and when over one meter of mud was removed, the original brick pavement and two marble Medusa heads at the base of two of the columns were revealed. The walkway that was constructed at that time enables visitors to walk around the cistern.

Sultanahmet Blue Mosque

The first of the seven hills on the promontory has been the most important and dynamic part of the city in all ages. When the city was first founded, the acropolis was a typical Mediterranean trading center surrounded by city walls. This trading center was enlarged and rebuilt during Roman times. The most prominent buildings and monuments of the Roman era were built in the vicinity of the Hippodrome. Very few relics of these works have endured to the present day.

The imperial palace, known as the “Great Palace”, used to spread over an area extending from the Hippodrome down to the seashore. Only the mosaic floor panel of a large hall remains from this palace today. The Augusteion, the most important square of the city, used to be here, and between the square and the main avenue there was the Millairium victory arch. The road used to extend as far as Rome and the stone marking the first kilometer was located here.

The baths, temples, religious, cultural, administrative and social centers were all in this district. The area maintained its importance in the Byzantine and Turkish eras. Therefore some of the most important monuments of Istanbul such as the Hagia Sophia, Sultan Ahmet Mosque, the Museum of Turkish and Islamic Art and the Basilica Cistern are all located around the Hippodrome.

The main streets in the city (those leading down to the harbor and those extending toward the city walls in the west) started at the Hippodrome and followed the slopes of the hills. The streets were lined with business establishments and mansions. The side streets were narrow and some were stepped. Some of the main streets had two-galleried sidewalks. There were spacious squares along the route and the side roads forking from these squares led to the city gates. The main avenue was called the Mese, and Via Egnetia, the road to Rome, started at the Golden Gate (Altmkapi).

Hippodrome means square for horses. The Hippodrome was built by the Roman Emperor Septimius Severus towards the end of the 2nc* century and it was extended to an immense size by Constantine the Great. Some historians claim that it could seat thirty thousand spectators, while others put the figure at sixty thousand. The main attraction was the two or four-horse chariot races. In Roman and Byzantine times, the Hippodrome served as the city’s main meeting, entertainment and sports center until the 10tn century. Like many of the other monuments in the city, it lost its importance with the Latin invasion in 1204. Besides the chariot races and gladiator fights with wild animals, there were performances by musicians, dancers and acrobats. There were many public holidays during Roman times to allow opportunities for all these activities.

The Hippodrome was shaped like a gigantic “U” and the imperial box, built like a balcony with four bronze horses on its roof, was situated on the eastern side. The sand-covered surface of the Hippodrome was divided into two by a low wall around which the chariots raced. On this wall stood monuments brought here from different corners of the empire and the statues of famous riders and their horses. Successful chariot drivers were very wealthy and could have anything they wanted. Originally there were 4 teams of drivers whose supporters’ clubs formed large quarrelling factions and competed for position and prestige in the city. From time to time politics intermingled with the races, and the clashes between competing forces turned into bloody massacres.

The original ground level of the Hippodrome was 4 or 5 meters lower than the present surface. Three monuments have remained to our day: the Egyptian Obelisk, the Serpent Column and the Walled Obelisk. In the Turkish era, too, festivals, ^ceremonies and performances used to be organized here. The Palace of Ibrahim Pasa opposite Sultan Ahmet Mosque is the sole example of the imposing private residences of the 16th century. This elegant building now houses the Museum of Turkish and Islamic Art.

Only the round southern end of the vast Hippodrome has survived. This is a brick structure decorated with tall vaults. In later ages, all of the stone blocks and columns of the Hippodrome were used for building material. The ruins in the park to the right of the entrance to the Hippodrome belong to 4th” and 5th century private palaces, and a little further along there are the remains of the Byzantine Hagia Euphemia church.

Hagia Sophia

One of the most famous monuments of Turkish and Islamic art, the mosque is visited by all who come to Istanbul and gains their admiration.

This imperial mosque is an example of classical Turkish architecture, and it is the only mosque that was originally built with six minarets.

It is surrounded by other important edifices of Istanbul, built at earlier ages. Istanbul is viewed best from the sea and the mosque is part of this magnificent scenery.

Although it is popularly known as the Blue Mosque, its real name is Sultan Ahmet Mosque. Befitting his original profession, its architect Mehmet Ağa decorated the interior fastidiously like a jeweler. Built between 1609-1616, the mosque used to be part of a large complex, including a covered bazaar, Turkish baths, public kitchens, a hospital, schools, a caravanserai, and the mausoleum of Sultan Ahmet. Some of these social and cultural buildings have not survived to our day.

The architect was a student of Sinan, the greatest architect of classical Turkish architecture. He applied a plan used previously by his master, but on a larger scale.

The main entrance to Sultan Ahmet Mosque is on the Hippodrome side. There is an outer courtyard, and the inner courtyard and the edifice itself are elevated.

From the gate opening to the inner courtyard one can view the domes, rising above one another in perfect harmony, over the symbolic ablution fountain in the middle and the surrounding porticoes.

There are three entrances to the mosque interior. The wealthy and colorful vista inside created by the paintings, tiles and stained glass complements the exterior view. The interior has a centralized plan; the main and side domes rise on four large columns that support broad and pointed arches. The walls of the galleries surrounding the three sides of the interior chamber are decorated by over 20,000 exquisite Iznik tiles. The areas above the tiles and the inside of the domes are decorated with paintwork.

The blue of the paintwork, which gives the mosque its name, was not the color of the decorations originally; they were painted blue during later restorations. During the last renovation, completed in 1990, the darker blue color of the interior decorations painted as its original light colors.

The floor is covered by carpets, as in all mosques. Next to the mihrab (niche aligned towards Mecca) opposite the main entrance, there is a marble minber (pulpit) with exquisite marble work. On the other side is the sultan’s loge (box) in the form of a balcony. The 260 windows flood with light the interior space, which is covered by a dome 23.5 m in diameter and 43 m high.

The small market building, repaired and reconstructed in recent years, is situated to the east of the mosque, and the single-domed mausoleum of Sultan Ahmet and the medrese (religious school) building are to the north, on the Hagia Sophia side.

In summer months light and sound shows are organized in the park here. Sultan Ahmet Mosque occupies a focal point in city tours, together with the numerous monumental buildings and museums in the vicinity.

The minarets of the mosque are classical examples of Turkish architecture. The balconies are reached by spiral stairs. It is from these balconies that five times a day the believers are called to prayer – in our day using loudspeakers.

The domes and the minarets are covered by lead, and at the top of the minarets there are standards made of gold-plated copper. Master craftsmen repair these coverings very skillfully when needed.

Islam requires all Muslims to pray five times a day. When the believers hear the call to prayer from the minarets, they perform their ablutions (washing) and then pray. The noon prayer on Fridays and the prayers on other important holidays are performed in the mosques collectively, but other prayers can be performed anywhere.

In the communal prayers performed in the mosque, the imam takes the lead and he chants verses from the Koran. The areas of prayer for men and women are separate. In the central area only men are allowed to pray, while women take their places either behind them or in the galleries.

It is a characteristic of classical Turkish mosques that even in the most crowded day, the majority of the congregation can easily see the mihrab.

Grand Bazaar

The oldest and largest covered bazaar in the world is situated in the heart of the city. One cannot appreciate this market without visiting it. It resembles a giant labyrinth with approximately sixty lanes and more than three thousand shops.

The bazaar consisted originally of two 15th century buildings with thick walls that were covered with a series of domes. In later centuries the streets around these buildings developed and were covered and new additions were made, turning it into a trading center. In the past each lane was reserved for a different profession and the handicrafts produced here were rigorously controlled.

Business ethics and traditions were strictly adhered to.

All types of jewelry, fabrics, weaponry and antiques were sold by merchants whose expertise in the trade went back for generations. At the end of the last century the bazaar suffered an earthquake and several fires.

Although it was repaired according to its original plan, it lost its former characteristics and deteriorated.

In the old days the tradesmen commanded so much respect and trust that people asked them to safeguard and to invest their money. Today the shops in many lanes have changed character. Trades such as quilt makers, slipper makers and fez makers only remain as street names now.

The so-called main street of the bazaar is lined with jewelry shops, and a side lane opening to this street is allocated to goldsmiths. Prices vary and bargaining is customary in these rather small shops.

Although the bazaar retains its former charm and allure, since the 1970’s the modern and large enterprises near the main entrance offer better shopping opportunities for the tourist groups visiting Istanbul.

The covered bazaar is crowded and bustling the whole day. Shop owners insistently invite the visitors to their shops. In the large and comfortable shops at the entrance one can find examples of all the hand-made articles produced in Turkey.

The handmade carpets and jewelry sold here are the finest examples of traditional Turkish art. Every item on sale carries its tag of authen-ticity and it can be shipped to anywhere in the world.

Along with the carpets and jewelry, these shops offer a wide collection of high-quality Turkish silverware, copper and bronze souvenirs and decorative objects, ceramics, and onyx and leather goods.

The Spice Bazaar is another covered market place on a smaller scale. A small 15th century covered bazaar in Galata is still in use.

Topkapı Palace

Topkapı Palace constructed by Fatih Sultan Mehmet, (the Conqueror) in 1478 has been the official residence of the Ottoman Sultans and center of State Administration around 380 years until the construction of Dolmabahçe Palace by Sultan Abdülmecid. The palace having around 700.000 m² area during the foundation years has currently 80.000 m² area.

Topkapı Palace was evacuated by the accommodation of the Palace inhabitants in Dolmabahçe, Yıldız and in other palaces. Upon abandoning by the sultans, Topkapı Palace where many officials resided had also never lost its importance. The palace was repaired from time to time. A special attention was taken for the annual maintenance of Mukaddes Emanetler Dairesi (Sacred Safekeeping Rooms) visited by the sultan and his family during Ramadan.

The opening of Topkapı Palace for visits as museum happened firstly in the reign of Sultan Abdülmecid (1839-1861). The belongings within Topkapı Palace Treasury was shown to the contemporary English ambassador. Later on, it has become a tradition to show the antics within the Topkapı Palace Treasury to the foreigners and during the era of Sultan Abdülaziz (1861-1876), showrooms are made in French style, and these antics are started to be shown to foreigners in these showrooms within Treasury. During the period when Sultan II. Abdülhamid was dethroned (1876-1909), it was thought to open the Treasury Room to public visits on Sundays and Tuesdays, yet it never realized.

By the order of Ghazi Mustafa Kemal Atatürk, Topkapı Palace firstly affiliated to the Istanbul Asar-i Atika Museums Directorate and opened to public visits on date of April 3, 1924, then it started to service as Treasury Chamberlain, after it was renamed as Treasury Directorate and finally it was renamed as Topkapı Palace Museum Directorate and it still continues its services.

Upon the performance of small repairs and taking some administrative cautions in 1924, Topkapı Palace was opened to service as a Museum on October 9, 1924. The sections opened to visit at that time were Kubbealtı, Arz Odası, Mecidiye Köşkü (Pavilion Mecidiye), Hekimbaşı Odası (Room of Chief Doctor), Mustafa Paşa Köşkü (Pavilion Mustafa Pasha) ve Bağdat Köşkü’dür (Pavilion Baghdad).